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Terces
To make light of elements. The phenomena observed in laboratory find their translation on the ring where the artist is one with his experiments. Being in turn tightrope walker, juggler, rider, acrobat or tamer, he surrounds himself with machines or objects he created, to tame atmospheric turbulences, to cause unstable equilibriums, to use the absurd to demonstrate effects with unexpected physical properties, like a Gyro Gearloose who would have made the stage his workshop. This performance under the circus tent is not a show with stories, but a playful space of existential demonstrations fed with obsessions: How to live in a world in perpetual motion? Which point of view to adopt on it? What do we know that we really know?
Sometime devilish, sometime harmless, the demiurge obstinately fights to tame the disorders he himself installed. Extremely focused, he attempts, he takes risks to comprehend the energy, the motion, what animates the matter that surrounds us, sometimes to failure. Secret is an invitation to the spectator to participate in the elaboration of a thought, rather than gazing passively at a feat.
– Terces
Laboratory on a circus ring
Terces, from the verb “Tercer”: to plow the earth for the third time, is also the anadrome of secret. After Secret in 2003 and Secret (time 2) in 2012, the show is experiencing a new mutation, reflecting a world in perpetual evolution that constantly calls for new readings. We enter Terces as in a visual laboratory in which new phenomena take place nourished by new points of view on the world. Machines work alone, forces never explored are exposed in objects without technology, moving with poetic or utopian energy. These devices, which seem moved by their own strength, come to join a world of matter, inviting us to reconsider by ourselves this universe criss-crossed by Johann Le Guillerm. Terces traces a thought that concentrates in the essential, crystallizes in a material. The show is part of the overall intention of Attraction, a sort of mental circus where the concepts are declined in the temporality of experimentation, of its paths, of its progress. Some performances are available in audio description.
Teaser Terces
Conception, ring director and performance
Johann Le Guillerm
Composer Alexandre Piques
Ring department Anastasia Saltet, Anaëlle Husein Sharif Khalil en alternance avec Marion Bottaro et Franck Bonnot en alternance avec Paul-Emile Perreau
Technical manager Alizé Barnoud
Lighting design Hervé Gary
Light manager Lucien Yacoubsohn
Lighting machinery construction Silvain Ohl, Jean-Marc Bernard and Pauline Lamache
Costume designer Paul Andriamanana Rasoamiaramanana assisted by Mathilde Giraudeau
Production
Cirque ici – Johann Le Guillerm
Co production
Plateforme 2 Pôles Cirque en Normandie – La Brèche à Cherbourg et le Cirque Théâtre d’Elbeuf / Agora – Centre Culturel PNC Boulazac Aquitaine / Le Channel – scène nationale de Calais / Le Volcan – Scène nationale du Havre / Théâtre de Sénart, scène nationale – Scène nationale de l’Essonne Agora Desnos – Théâtre de Corbeil-Essonnes Grand Paris Sud / Le Carré Magique Pôle national des Arts du Cirque en Bretagne / Cirque Jules Verne – Pôle National Cirque et Arts de la Rue – Amiens / Archaos, Pôle Nationale des Arts du Cirque Méditerranée / Pôle Régional Cirque Le Mans, Les Quinconces-L’espal, Scène nationale / Tandem – Scène nationale / Les 2 scènes – scène nationale de Besançon
Résidences
La Brèche, Cherbourg Pôle National des Arts du Cirque en Normandie – Jardin d’Agronomie Tropicale, Paris – La Fonderie, Le Mans – L’ Agora, Pôle National Cirque Boulazac, Aquitaine – Le Channel Scène Nationale de Calais – Cirque Théâtre Elbeuf, Pôle National des Arts du Cirque en Normandie.
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